Agenda

RUPTUR explores, through a grand musical form, the concept of a machine that operates ceaselessly.

This work stands as the culmination of a musical journey that paves the way for new models of interaction between instruments, performers, composers, and the audience

In an immersive performance space, the audience forms a community of fate together with two performers, percussionists and a choir of young women.

In an immersive performance space, the audience forms a community of fate together with two performers, percussionists and a choir of young women.

This work stands as the culmination of a musical journey that paves the way for new models of interaction between instruments, performers, composers, and the audience

A party, maybe the last party before the war in an immersive performance space, the audience forms a community of fate together with two performers, percussionists and a choir of young women.

Interactive concerts for schools only. The WARETHWA research project is a collaboration between Les Percussions de Strasbourg and the timbil player Matchume Zango.

The WARETHWA research project is a collaboration between Les Percussions de Strasbourg and the timbil player Matchume Zango, focusing on oral tradition, listening and the collective creation of a shared language.

Interactive concerts for schools only. The WARETHWA research project is a collaboration between Les Percussions de Strasbourg and the timbil player Matchume Zango.

The WARETHWA research project is a collaboration between Les Percussions de Strasbourg and the timbil player Matchume Zango, focusing on oral tradition, listening and the collective creation of a shared language.

The Day Before takes us into the midst of a shimmering prelude to the apocalypse in which audience, performers, percussionists and a chorus of young women become companions in destiny.

The Day Before takes us into the midst of a shimmering prelude to the apocalypse in which audience, performers, percussionists and a chorus of young women become companions in destiny.

Zeno van den Broek’s piece Ways of [ ], for six percussionists and four machines. In collaboration with the HIIIT ensemble.

Les Percussions de Strasbourg present MINIMAL, a recital for two vibraphones and two marimbas exploring the minimalist style.