RUPTUR / SAMUEL SIGHICELLI AND BENJAMIN DE LA FUENTE
Festival Musica, Théâtre de Hautepierre, Strasbourg
In a large-scale musical form, RUPTUR explores the notion of a machine that unfolds relentlessly.
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In a large-scale musical form, RUPTUR explores the notion of a machine that unfolds relentlessly.
Forming a choreographic and musical diptych, Hélène Blackburn creates a new choreography to the masterful music of Stravinsky’s Les Noces for the Ballet de l’Opéra national du Rhin, in response to the re-creation of Bruno Bouché’s Nous ne cesserons pas.
In a large-scale musical form, RUPTUR explores the notion of a machine that unfolds relentlessly.
Forming a choreographic and musical diptych, Hélène Blackburn creates a new choreography to the masterful music of Stravinsky’s Les Noces for the Ballet de l’Opéra national du Rhin, in response to the re-creation of Bruno Bouché’s Nous ne cesserons pas.
An experiment aimed at sharing different musical pieces – with a visual, physical or vibratory dimension – between deaf, hard-of-hearing and hearing people.
Ryoji Ikeda highlights the potential of cymbals. A unique listening experience to curl up with the vibrations.