© Christophe Urbain

MUSIC IN THE BELLY- KARLHEINZ STOCKHAUSEN, SIMON STEEN-ANDERSEN

In 1975 Karlheinz Stockhausen composed an enigmatic work for les Percussions de Strasbourg. The score contained more stage directions than music – and the music consisted of twelve melodies linked to the signs of the zodiac, the Tierkreis cycle, and embodied in music boxes that the composer had made himself. The idea for the piece and its title came from his daughter Julika’s surprise when, at the age of two, she discovered small noises inside her, stomach rumbling: “You have music in your belly”, told his father. A few years later, he suddenly woke up one morning after dreaming the piece and put it down on paper.

Nearly fifty years after the composition and premiere of the work at the Royan Festival, les Percussions de Strasbourg have asked Simon Steen-Andersen to imagin a new staging. While remaining faithful to the score and without adding a single note, the Danish artist reveals a potential in a manner suited to the eyes and ears of today through the use of scenic processes and technologies directly inspired by other pieces by Stockhausen. A simple question guided Steen-Andersen’s approach: what could MUSIC IN THE BELLY have looked like in Stockhausen’s dream, even before he woke up?

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