Agenda

In a large-scale musical form, RUPTUR explores the notion of a machine that unfolds relentlessly.

In a large-scale musical form, RUPTUR explores the notion of a machine that unfolds relentlessly.

As part of the Music is… Festival in Prague, the Percussions de Strasbourg are presenting a customised programme of repertoire pieces combining experimentations with the group’s signature pieces.

Forming a choreographic and musical diptych, Hélène Blackburn creates a new choreography to the masterful music of Stravinsky’s Les Noces for the Ballet de l’Opéra national du Rhin, in response to the re-creation of Bruno Bouché’s Nous ne cesserons pas.

Forming a choreographic and musical diptych, Hélène Blackburn creates a new choreography to the masterful music of Stravinsky’s Les Noces for the Ballet de l’Opéra national du Rhin, in response to the re-creation of Bruno Bouché’s Nous ne cesserons pas.

An experiment aimed at sharing different musical pieces – with a visual, physical or vibratory dimension – between deaf, hard-of-hearing and hearing people.

Ryoji Ikeda highlights the potential of cymbals. A unique listening experience to curl up with the vibrations.

In a large-scale musical form, RUPTUR explores the notion of a machine that unfolds relentlessly.

Forming a choreographic and musical diptych, Hélène Blackburn creates a new choreography to the masterful music of Stravinsky’s Les Noces for the Ballet de l’Opéra national du Rhin, in response to the re-creation of Bruno Bouché’s Nous ne cesserons pas.

Forming a choreographic and musical diptych, Hélène Blackburn creates a new choreography to the masterful music of Stravinsky’s Les Noces for the Ballet de l’Opéra national du Rhin, in response to the re-creation of Bruno Bouché’s Nous ne cesserons pas.

In a large-scale musical form, RUPTUR explores the notion of a machine that unfolds relentlessly.