Agenda

Interactive concerts for schools only. The WARETHWA research project is a collaboration between Les Percussions de Strasbourg and the timbil player Matchume Zango.

This work stands as the culmination of a musical journey that paves the way for new models of interaction between instruments, performers, composers, and the audience

A party, maybe the last party before the war in an immersive performance space, the audience forms a community of fate together with two performers, percussionists and a choir of young women.

In an immersive performance space, the audience forms a community of fate together with two performers, percussionists and a choir of young women.

In an immersive performance space, the audience forms a community of fate together with two performers, percussionists and a choir of young women.

This work stands as the culmination of a musical journey that paves the way for new models of interaction between instruments, performers, composers, and the audience

RUPTUR explores, through a grand musical form, the concept of a machine that operates ceaselessly.

Zeno van den Broek’s piece Ways of [ ], for six percussionists and four machines. In collaboration with the HIIIT ensemble.

Zeno van den Broek’s piece Ways of [ ], for six percussionists and four machines. In collaboration with the HIIIT ensemble.

Zeno van den Broek’s piece Ways of [ ], for six percussionists and five machines. In collaboration with the HIIIT ensemble.

As part of the MACROCOSM retrospective on Ryoji Ikeda at the Philharmonie de Paris, the Percussions de Strasbourg will plunge us into the abyss of vibration with 100 cymbals by Ryoji Ikeda. A unique listening experience.